• Jewelry
    • Design
    • Visual Arts
  • About
  • Shop
  • Connect
  • Blog
Menu

Inkberry Ridge Studio

Street Address
Harrisonburg, Virginia
Phone Number

Your Custom Text Here

Inkberry Ridge Studio

  • Work
    • Jewelry
    • Design
    • Visual Arts
  • About
  • Shop
  • Connect
  • Blog
ku•ru

dic•tion•ar•y

Spitzer Art Center | April 2014

A collaborative show with David Brennan (collage) and Matthew Carlson (audio). The show was very interactive and encouraged viewer participation. Each “station” had three definitions for one word; one correct, the other two false. It is the viewer/listener's job to make the best guess at the correct answer. 

Artist Statement

This show was born out of a desire to explore various conceptions of misunderstanding: what it is to be misunderstood; how we generate meaning out of that which we don’t understand; how sound and sight assist and/or inhibit our ability to perceive “the truth.” At each station you will find three very different ideas, each presented in a different medium, that all stem from the same source word. Two of the definitions of the word are false; one is the real definition. We are interested in how this knowledge affects your viewing (and listening) of the pieces. Where is the border between fun and frustration? Do the unreliable definitions change the quality of your experience? Can you trust the art, if its source is flawed? We don’t know the answers either, but we’re going to enjoy trying to figure them out.

dic•tion•ar•y

Spitzer Art Center | April 2014

A collaborative show with David Brennan (collage) and Matthew Carlson (audio). The show was very interactive and encouraged viewer participation. Each “station” had three definitions for one word; one correct, the other two false. It is the viewer/listener's job to make the best guess at the correct answer. 

Artist Statement

This show was born out of a desire to explore various conceptions of misunderstanding: what it is to be misunderstood; how we generate meaning out of that which we don’t understand; how sound and sight assist and/or inhibit our ability to perceive “the truth.” At each station you will find three very different ideas, each presented in a different medium, that all stem from the same source word. Two of the definitions of the word are false; one is the real definition. We are interested in how this knowledge affects your viewing (and listening) of the pieces. Where is the border between fun and frustration? Do the unreliable definitions change the quality of your experience? Can you trust the art, if its source is flawed? We don’t know the answers either, but we’re going to enjoy trying to figure them out.

ku•ru

ku•ru

clay, metal shavings

pe•num•bra

pe•num•bra

clay, wire

skeu•o•morph

skeu•o•morph

clay, wood, wire, acrylic

haec•ce•i•ty

haec•ce•i•ty

clay, chain, thread

é•pous•tou•flant

é•pous•tou•flant

clay, wire, ceramic beads

chor•i•zont

chor•i•zont

clay, wire, chain

on•a•ger

on•a•ger

clay, wire, fabric, wooden figure

li•to•tes

li•to•tes

clay, acrylic, wooden frame, twine